![]() ![]() Because Armstrong was also a masterful singer, he cut and pasted lyrics into a collage of powerful, sSmcopated modern music, inspiring generations of singers as well.įrom the turn of the century to the late 1950’s, thousands of songs were comin from musical theater, films and Tin Pan Alley. This showed iazz musicians ever5,where that the popular song could be used as thematic material for improvised variations. He had the ablhty to construct coherent improvised solos, which applied the musical implications of the blues to the more sophisticated harmonies and modulations of the popular song. In the late 1920’s and early 5O’s, the masterpiece recordings of trumpeter and singer Louis Armstrong changed the relationship of jazz to the popular song. Carmichael’s “Stardust” is said to be derived from an improvised solo of jazz cornetist Bix Beiderbecke. As the American popular song evolved, composers like Hoagy Carmichael and George Gershwin increasingly incorporated more of the swing and feel of iazz. ![]() As the art oÍ jazz began to define itself, the practice of “jazzin”’ a popular song became as important as swinging the blues. His repertoire consisted of original and blues songs, yes but he was known and loved for his versions of popular songs and dance tunes. Legend has it that the first jazz musician was Buddy Bolden. And, both make extensive use of devices developed in musical theater houses from La Scala to Lu Lu White’s. ![]() Both possess a harmonic vocabulary in the tradition of the great J.S. Both speak a common melodic language descended from the minstrel show, the fiddler’s reel, the work song and the spiritual. They have the same parents – Ragtime and Blues. Jazz music and the American popular song were born just before the turn of the twentieth century. Where or When (from: Standard Time Vol.3).Who Can I Turn To (When Nobody Needs Me) (from: Wynton Marsalis).Street of Dreams (from: Standard Time Vol.3).It’s Easy to Remember (from: Standard Time Vol.3).I Can’t Get Started (from: Tune in Tomorrow).For All We Know (from: Hot House Flowers).Each arrangement is meticulously edited by Wynton himself. Interpretations of classic ballads from the leading jazz trumpeter of the past 20 years. Transcribed Trumpet Solos with Piano Accompaniment Book ![]()
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